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This musical, with a book by John Weidman, explores the history of
presidential assassination in America, from John Wilkes Booth to John
Hinckley, Jr. Assassins climaxes in a surreal sequence where the
assassins convince Lee Harvey Oswald that his act is the only way he
will connect -- with them, with history, and with the world.
The song "Something Just Broke" was added for the London productions,
and has been included in all subsequent productions, although it has
not yet been recorded.
Show Data
Original Production Info:
Opened
|
December
18, 1990 |
Closed
|
February
16, 1991 |
Theatre
|
Playwrights
Horizons |
Ran
|
73
Performances |
Music
|
Stephen
Sondheim |
Lyrics
|
Stephen
Sondheim |
Book
|
John
Weidman |
Based
on an idea by |
Charles
S. Gilbert, Jr. |
Producer
|
Playwrights
Horizons |
Director
|
Jerry
Zaks |
Set Designer |
Loren
Sherman |
Costume
Designer |
William
Ivey Long |
Lighting
Designer |
Paul
Gallo |
Sound
Designer |
Scott
Lehrer |
Hair
Design |
Angela
Gari |
Choreography
|
D.J.
Giagni |
Musical
Direction |
Paul
Gemignani |
Orchestrations
|
Michael
Starobin |
Piano
|
Paul
Ford |
Drums,
Percussion |
Paul
Gemignani |
Synthesizers
|
Michael
Starobin |
Musical Numbers:
- Everybody's Got the Right
- The Ballad of Booth
- How I Saved Roosevelt
- Gun Song
- The Ballad of Czolgosz
- Unworthy of Your Love
- The Ballad of Guiteau
- Another National Anthem
- November 22, 1963
- Finale: Everybody's Got the Right
Added Songs:
- Something Just Broke
Original Cast:
Proprietor
|
William
Parry |
Leon
Czolgosz |
Terrence
Mann |
John
Hinckley |
Greg
Germann |
Charles
Guiteau |
Jonathan
Hadary |
Giuseppe
Zangara |
Eddie
Korbich |
Samuel
Byck |
Lee
Wilkof |
Lynette
Fromme |
Annie
Golden |
Sara
Jane Moore |
Debra
Monk |
John
Wilkes Booth |
Victor
Garber |
Balladeer
|
Patrick
Cassidy |
David
Herold |
Marcus
Olson |
Bartender
|
John
Jellison |
Bystanders
|
Joy
Franz |
|
Lyn
Greene |
|
John
Jellison |
|
Marcus
Olson |
|
William
Parry |
Emma
Goldman |
Lyn
Greene |
Fairgoers
|
Joy
Franz |
|
Lyn
Greene |
|
John
Jellison |
|
Marcus
Olson |
|
William
Parry |
|
Michael
Shulman |
James
Garfield |
William
Parry |
James
Blaine |
John
Jellison |
Hangman
|
Marcus
Olson |
Warden
|
John
Jellison |
Billy
|
Michael
Shulman |
Gerald
Ford |
William
Parry |
Lee
Harvey Oswald |
Jace
Alexander |
Original London Production Info:
Opened
|
1992 |
Theatre
|
Donmar
Warehouse, London |
Music
|
Stephen
Sondheim |
Lyrics
|
Stephen
Sondheim |
Book
|
John
Weidman |
Based
on an idea by |
Charles
S. Gilbert, Jr. |
Director
|
Sam
Mendes |
Set
Designer |
Anthony
Ward |
Costume
Designer |
Anthony
Ward |
Costume
Supervisor |
Christine
Rowland |
Lighting
Designer |
Paul
Pyant |
Musical
Direction |
Jeremy
Sams |
Perf.
Musical Director |
Mark
Dorrell |
Orchestrations
|
Michael
Starobin |
Sound
Designer |
John
A. Leonard |
Original London Cast:
Proprietor
|
Paul
Bentley |
Leon
Czolgosz |
Jack
Ellis |
John
Hinckley |
Michael
Cantwell |
Charles
Guiteau |
Henry
Goodman |
Giuseppe
Zangara |
Paul
Harrhy |
Samuel
Byck |
Ciaran
Hinds |
Lynette
Fromme |
Cathryn
Bradshaw |
Sara
Jane Moore |
Louise
Gold |
John
Wilkes Booth |
David
Firth |
Balladeer
|
Anthony
Barclay |
David
Herold |
Kevin
Walton |
Emma
Goldman |
Sue
Kelvin |
James
Garfield |
Kevin
Walton |
James
Blaine |
Gareth
Snook |
Gerald
Ford |
Paul
Bentley |
Lee
Harvey Oswald |
Gareth
Snook |
Original London Added Songs:
- Something Just Broke
Recordings:
- Original Cast Recording, 1991 (RCA Victor 60737-2-RC)
Secondary performance rights handled by Music Theatre International
Articles:
- Something Just Broke
- On Directing Assassins
- The Assassination of America
- Opening Doors: The Art of the Opening Number
- Passassinations
- Sondheim the Politician
- Sondheim's Societal Struggle
Discuss this show in Sondheim.com's
community forum: Finishing the Chat...
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Assassins is about how society interprets the American Dream, marginalizes outsiders and rewrites and sanitizes its collective history. "Something Just Broke" is a major distraction and plays like an afterthought, shoe horned simply to appease. The song breaks the dramatic fluidity and obstructs the overall pacing and climactic arc which derails the very intent and momentum that makes this work so compelling...
- Mark Bakalor
I found [the Sondheim Celebration's Company] to be completely delightful. Almost all of the numbers excited and energized me, and most of the scenes were about as pitch-perfect as you can get. I just sat there with a big smile on my face the whole show.
Which is not to say that it is perfect...
- popcornonmyknees
Explore the rest of the Finishing the Chat Community Forum
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